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Characteristics of a dynamic industry

A dynamic industry is a growing industry. The characteristics of a dynamic industry are indicators that allow us to know that the industry is growing by its mere presence. The Plateau music industry is a paradox, as it is young and old at the same time. It is old in the sense that it has registered negligible growth despite the relatively long period during which it has been alive.

A growing industry should have people with big dreams and determined to make dreams come true by following the narrow path, which inevitably leads to righteousness. It seems that 70% of our artists prefer the speed lane even when it is obvious that speed kills. In a growing industry, artists must have the patience to learn to write good songs and make good instrumentation by working with good instrumentalists or good studio engineers. In that sense, a growing industry should also have good instrumentalists or studio engineers.

An important characteristic of a growing industry is the presence of analysts / critics. They are those who look at the different components of a musical piece and comment on them. Feedback can be positive or negative. In a growing industry, the person being criticized must also be willing to tolerate criticism as much as criticism must be constructive. Constructive criticism can sometimes take the form of reviews. Music criticism is a hallmark of a growing industry.

For one to be a good music analyst, he must have enough business knowledge himself to be successful. Some have the knowledge, but choose not to play. Others have the knowledge and are playing successfully. Others have played successfully and bowed. However, it is rare for an acting musician to criticize the work of his colleagues. Hence, the other two are the only ones in a good position to comment both positively and negatively on the artists’ works.

In Jos, however, it is difficult to single out a single person who can be referred to as a musical commentator in show business, especially in the area of ​​music. Part of the reason is that certain people don’t like to give unsolicited comments or fear that some people might take it personally after such comments on their projects. Therefore, tolerance for criticism is also a characteristic of a dynamic industry, as it leads to improvements.

But the apparent non-existence of music analysts in our community could also be due to the absence of a means of expression. In developed countries there are radio and television stations dedicated to music. There could also be magazines, newspaper columns, or the entire print media devoted entirely to the cause. Here we have music programs on radio and television, which, however, do not have provisions for music analysis. This could be because the presenter did not think of making the necessary arrangements. If the community shows that they want it, it will definitely occur to one or two presenters to feature them on their shows.

This is not to say that the music industry is not growing at all, but the chameleon speed is giving many reasons for concern. The presence of these crucial meeting points will undoubtedly increase the momentum of the industry so that we can begin to look beyond Jeremiah Gyang and P-Square.

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